John William Waterhouse
English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.
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John William Waterhouse Lamia oil painting


Lamia
Lamia (version 2) 1909
Painting ID::  61588 		John William Waterhouse
Lamia
Lamia (version 2) 1909
   
   
     
John William Waterhouse Thisbe oil painting


Thisbe
Thisbe 1909
Painting ID::  61589 		John William Waterhouse
Thisbe
Thisbe 1909
   
   
     
John William Waterhouse Ophelia oil painting


Ophelia
Ophelia 1910
Painting ID::  61590 		John William Waterhouse
Ophelia
Ophelia 1910
   
   
     
John William Waterhouse Spring Spreads One Green Lap of Flowers oil painting


Spring Spreads One Green Lap of Flowers
Spring Spreads One Green Lap of Flowers 1910
Painting ID::  61591 		John William Waterhouse
Spring Spreads One Green Lap of Flowers
Spring Spreads One Green Lap of Flowers 1910
   
   
     
John William Waterhouse The Charmer oil painting


The Charmer
The Charmer 1911
Painting ID::  61592 		John William Waterhouse
The Charmer
The Charmer 1911
   
   
     
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     John William Waterhouse
     English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.

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